Seamus Heaney’s Human Touch

It’s fair to say that Heaney stood apart from many of the innovations of modern poetry, but he was a master of breath, and of the poised line-ending. His poems are always clean and efficient, but with sounds that leap off the page: his was a poetry of speaking, of a gently turned vernacular. TheyContinue reading “Seamus Heaney’s Human Touch”

Five new dates for The Walbrook Pilgrimage

Part historical/cultural research project, part exercise in acute environmental observation, Chivers’ ode to the Walbrook – “ghost and friend of the City” – is an immersive, beautifully executed exercise in urban psychogeography. (Wild Culture) If you missed the initial, sold-out run of The Walbrook Pilgrimage, it’s your lucky day – I am leading five moreContinue reading “Five new dates for The Walbrook Pilgrimage”

The Circus of Poetry: from Clowning to the Taming of the Lion

Three years ago I edited and published a collection of essays exploring new approaches to poetry. Stress Fractures is currently on sale for just five of your English pounds, so as a further temptation I am making my introduction to the book freely available right here. I envisaged the collection as a means of provokingContinue reading “The Circus of Poetry: from Clowning to the Taming of the Lion”

Exeunt

It slipped my mind to mention this, but over the last year or so I have written a number of reviews for the excellent online theatre magazine Exeunt. So far I have covered classical experiments, perambulatory music, spoken word and poetry-inspired theatre… Click here to read the latest, my take on a Spitalfields Festival walkingContinue reading “Exeunt”

That an Horse hath no gall

A horse in a field is worth two in the hand          Applejack is a reliable and hard-working pony, although headstrong about doing things on her own[1]          take horses for an example, if you look closely you notice that all horses have exactly the same face[2]          Glueing coconuts to your dogs feet so people think youContinue reading “That an Horse hath no gall”

Dear World & Everyone In It

Delighted to have four poems in a new anthology from Bloodaxe Books, launched last night at the Poetry Library, followed by a session of hard-drinking around Waterloo from which I am still recovering. Edited by Nathan Hamilton, Dear World & Everyone In It is described as the first British anthology to attempt to define aContinue reading “Dear World & Everyone In It”

Poetry and the boundaries of plagiarism

I’m fascinated by this recent story. Christian Ward, a 32-year old poet from London with whom I’ve communicated occasionally on social networking, has been found to have plagiarised a poem by Helen Mort (whom I also know – in the real world). Christian’s poem, ‘The Deer’, won a local poetry competition in Devon, where theContinue reading “Poetry and the boundaries of plagiarism”